The Missoni Man stands at the center of an atemporal juncture; the point of convergence between what has passed and what is to come, between transformation and permanence. Echoes of the cultural verve and romanticism of the dynamic landscape of New York City — specifically of the early ‘80s — reverberate in contemporary scale. Intersections of time, place and memory collide and give rise to freshly imagined creations and perspectives. Collections of disassociated fragments of pattern, texture and color artfully come together to reveal a rich and graphic canvas upon which this season’s eclectic narrative is painted.
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